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May 30, 2018 (edited)
After several years opting instead for Alpine Valley, the dead return to Chicago. What a difference FOUR years makes! '87 marks the beginning of a dead renaissance culminating in spring '90, perhaps a peak the band would never hit again. These shows aren't quite there yet, but they're very good and sound like they were a blast. Jerry's getting healthy, back into form. Bobby's fired up, per usual, and Brent just keeps getting better and more comfortable through the years. The modern deadhead sees '87 - specifically the east coast tour (Feb-Mar) as a "watershed" moment. He quotes Billy: "I can't tell you what it means to have been to the point where it looked like there wasn't going to be any more Grateful Dead, and then to come back like this and to have it be as good as it is now," Kreutzmann said in '88, "We're playing better, we're healthier - all of us, not just Jerry - and we have more energy; I know I do. I feel great! I feel young!" Read more:
http://moderndeadhead.blogspot.com/2009/12/grateful-dead-1987.html. Double does of Bobby to start! Greatest->Promised, then follows some Grateful Blues with Jer leading on Push Comes to Shove and Brent on Good Time Blues-- or really, I should say, as the list here correctly says (but dead base does not), Never Trust a Woman. Rest of the set is fairly standard and well-played. You get an El Paso, Row Jimmy, followed by Esau. '87 is the last year they'd play this Bobby number, which is too bad, though perhaps I can sense why: This version seems to lack the energy and excitement of the earlier versions. Another Brent tune, Far from Me. Deal closer! FFM->Deal closer is great. It's a short first set, made up with a longer second.
Good scarlet, better fire to open the set. Definitely the best set -- at least on paper -- of the run. Scarlet->Fire makes way for the following fifty-plus minute suite: PITB->UJB->d/s->China Doll->Playing Jam->GDTRFB->Sugar Mag. Drums/Space approx. 15 mins.
Post-space China Doll is the show highlight. It always gets you, and Jerry sounds great on vocals. But - alas - as with much of '87 it sort of feels rushed near the end. Segues into a brief playing reprise to close the suite then into a rollicking, peppy and lively gdtrfb. It's a fitting us blues encore for what must've been billed as a sort of come back tour. "I'm still alive!"